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Of all of the memorable imitations Joe Piscopo did during his stint on Saturday Night Live — Ted Koppel announcing Buckwheats shooting, or a monotonous Andy Rooney — his signature is arguably his swinging Frank Sinatra.
Ironically, if hed had his way, it might never have seen the light of day.
“I did it for my audition, but I didnt want to do it (on the show). I said My father will get upset! And I was afraid of offending Frank Sinatra,” says Piscopo, pausing in the middle of a massive Italian feast at Tequestas Evo restaurant. “But they had me do it once, and then ordered two more (sketches). So I wrote Mr. Sinatra a letter saying Youre my hero. He was so warm, always.”
Its hard to say whether the New Jersey-born comic and singer would have made a splash during his 1980-84 stint on SNL without his Chairman of the Board-approved Sinatra imitation, especially in memorable sketches such as a caustically funny duet with Eddie Murphys Stevie Wonder on Ebony and Ivory (“I am black, and you are white/you are blind as a bat and I have sight”).
But its a fair guess that he wouldnt be doing a tribute to Sinatra at this weekends Feast of Little Italy in Abacoa. Its an act that has carried Piscopo, 59, from TV stardom to a nice career as a bandleader and proud Italian spreading the importance of his heritage through music and laughs.
“Im the child of immigrants. My grandparents couldnt speak the language. They faced discrimination,” says Piscopo, who has played similar festivals around the country, and has been the grand marshal of the Columbus Day Parade in New York City. “My father worked really hard, and wanted me to be a lawyer. But I messed it up and went into show business.”
Piscopos show at the Feast involves music, comedy and some memories of his career on SNL and more — “I tell all the inside stories, and weve got a killer band,” he says.
At Evo, he sits at the head of a long table featuring a revolving selection of Italian specialties — meatballs, crispy calamari, red wine and all the warm bread you can handle — telling stories about his respect for Ol Blue Eyes, the unmistakable connection between his heritage and food, and stories of his SNL days.
And though he never rose to the galactic career heights of some of his contemporaries, especially Murphy, his place in the pop culture consciousness, particularly of Generation X, is as clear as the giddy looks on the faces of his dinner companions.
Mostly guys in their 40s, they gaze goofily and fondly across their appetizers, completing Piscopos various lines from SNL sketches before he does. (They beam when he breaks into an impromptu line from The Lady Is A Tramp, and gleefully repeat his Koppel-esque melodramatic enunciation of the name of the fictional Buckwheats shooter, John David Stutts, just like they used to do in home room or at the bus stop.)
“Were proud to have him,” says Joe Piazza, one of the spokesmen for the festival, and a fan. “That generation that he touched, everybody knows him.”
The festival, Piazza says, is a celebration of the tradition, resilience, and, in this case, deliciousness of Italian culture. Food is a perfect way to relate that — “Its such a big part of our heritage. Theres something so basic about breaking bread, to welcome people into our homes and form a bond.”
Piscopo agrees.
“There are a lot of Italians in Jupiter — this is the biggest Italian festival in Florida,” he says. “But theyre everywhere. I got called to do one in Wheeling, West Virginia, and I asked Are there any Italians in Wheeling, West Virginia? But we had 4,000 people show up! And they had fried lasagna.”
A lot of Piscopos act has roots in his SNL days, although he finds that in the case of Sinatra, “the older I get, the less makeup I need,” he says wryly.
He joined the cast in 1980, as part of a group that essentially replaced the shows original “Not Ready For Prime Time Players,” including Dan Akyroyd, whom he calls “the captain of Saturday Night Live.” The pressure, of course, was high to make an impression in the shadow of that cast.
Piscopo marvels at some of the stuff they got away with, like that Buckwheat sketch that satirized the constant news coverage of the assassination of John Lennon and the attempted assasination of President Ronald Reagan, just a few years after those events.
“Eddie and I had to get everything approved. You had to do the run-through around 9:30, and then the producers would slice and dice (to choose what made it on air),” he remembers. “I used to tell Eddie, Keep it clean. We had no (tape) delay. We knew that being big on that show would enable you to keep working. There were some guys who became mega-stars, and some who were never heard from again.”
And hes still a fan of the show, including go-to comedienne Kristen Wiig — “Shes like Gilda Radner” he says of her versatility.
Hes also a fan of his home state, but not so much of some of the current pop culture trends coming out of it.
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